Fandom by Waterparks is one of my favorite albums of the year, regardless of the fact that…I am friends with the band. There was not a single track that immediately stood out as my favorite like Take Her to the Moon and Peach on previous albums--but I think that's because everything on this one is so good, it's impossible to choose one. I Miss Sex/War Crimes/I Felt Younger would probably comprise my top 3, but every song is fantastic. And the album is on the shorter side but you truly don't feel that length, these songs all go through so many different movements--lyrically and musically--that every song is just dense as hell and it feels a lot longer than it is, while still not feeling overwhelming or messy at all. It flows great and hits some really interesting themes.
This write-up was initially sent to Awsten on the album’s release date, and I’ve edited it a little below for clarity/brevity, because I would not shut up about it.
1. Cherry Red - Starting the album off with that bark/yell is so tight. A year and a half ago in that parking lot going to get crawfish together I didn't really "get" this song, but after hearing the album several times it really clicked for me. I love how it acts as kind of a setup to the whole thing, getting the listener into your mindset and introducing one of the main themes of the album. I also like how it continues your color motifs; "blue and yellow let’s get together and be green" has now gone bad and turned to sour green, and it seems like cherry red is replacing yellow (red + yellow = orange hmmmmm). I also love how "You know I died for you" ties into the closing track, "I said I loved you to death so I must be dead."
2. WWHN - A really great choice for the first full song of the album to set the tone for the Fandom theme in contrast with Cherry Red setting up the emotional side of the lyrics. It's also a goddamn jam so it's great at hyping up right at the start hahah. I've probably told you everything about this already but I like what you're saying in this, and how it's something probably every single artist goes through in their career, but no one seems to say in a critical way (that I’m aware of). I'm sure this and other songs will make some fans upset because they're being called out but I like that, and it's some stuff that needs to be said.
3. Dream Boy - Lots of good stuff about fan expectations in this, dressed up in metaphors and really catchy pop to catch people off-guard. Love the phrase "Build-A-Boy, pick your pieces" and "Do you believe in love and is it because of me?" With people's weird way of crafting their whole lives and beliefs and desires on these celebrities that they don't know personally at all yet are so invested in.
4. Easy to Hate - I feel like this is the most straightforward and "simple" song thematically, but man it is so catchy. The sound effect that I'm sure is your voice in the opening before the verse is so damn cool. I like this first real hint of the colors turning to red. This is thematically pretty similar to other demos like ********* and Play and stuff so with how catchy and big this chorus is, it's easy to see why you chose this one to cover that topic. I'm also a sucker for someone doing the chorus in a song but stripped down like you do here. Those harmonies in the final chorus are also soooo good..........
5. High Definition - You're on some Imogen Heap-ass shit here and it's dope. I like this as a single choice since I feel like the emotional side of the album really hinges on this track--it's not a breakup album in the typical sense (aside from like Easy to Hate and Worst), but rather it's about the aftermath of the breakup and the emotional state surrounding that, the doubts and insecurities and vulnerabilities of losing trust in everybody due to one person’s actions, and this song is such a direct and succinct and sad encapsulation of that. Hate how this whole song makes me feel for my friend but it's also really pretty and good.
6. Telephone - This is some real Hellogoodbye-ass shit here with the ending of the chorus hahah. The juxtaposition between this and High Definition is interesting, basically both songs coming to the same conclusion--not committing to a relationship--but in totally opposite ways. With this one basically being "I won't tell you how I'm feeling, I'll just go write lyrics/sing voice memos/tweet." Is this about the damn pretty Target girl you tweeted about once? "Now I'm living on a target" and "all these aisles feel like miles" hmmmmMMM. This wasn't my favorite when I first heard it but it realllllly grew on me and now I love it. The chorus is so good and I love what you're doing with the music/harmonies in the background of it. Also the dumb shit after "I'll follow" always makes me laugh. Then the dichotomy between this/HD is emphasized in the closing Wedding Singer sample which I feel like represents the fandom; you’re going through this huge emotional turmoil, but we’re reaping the benefits by getting great songs out of it.
7. Group Chat - It works as a goofy little interlude but I also like what it says thematically (if I'm not just pulling this out of my ass anyway). On one hand it seems to me like a commentary on the inanity of some fan group chats, how in some of them they all act like they're best friends but really it's just a surface-level friendship. "My name's [whatever] and we're all friends! :D" and then also with the effect on your voice, seems to imply to me how mentally draining everyone in the fandom can sometimes be on you more so than Geoff and Otto.
8. Turbulent - I know some people just gotta have their metaphors and shit in their lyrics but I love how direct this song is. Just plainly stating things makes them feel so much more raw and real. I can't see how you could more powerfully convey the anger and hurt than with "I'd unfuck you if I could." Also the "sOoOoO" in the second chorus is still best part (also the barks). Also the pitched-down backup vocals are tight in this song, really gets you into the frantic, pissed off headspace.
9. NBA - I like the potential double meaning of the chorus in this one; everyone in LA looks like you cause I'm missing you and seeing you everywhere, but also it’s kind of insulting, like "everyone in LA looks like you, you're not special." But aside from that, another very pretty albeit sad song. The chorus with full instrumentation and harmonies really hits hard. I also like the 11:11 connection with tying breath in knots; you're always really great at bringing back recurring images and lines in your writing, it makes your discography feel really connected and like you're actually writing these things, it's not some producer in a studio writing lyrics for you. These songs all lead into each other; the songs on Fandom could not exist without what came before in DD and Entertainment. That evolution is always really interesting to see, how these different motifs recur and change their meaning over time. I assume the main metaphor of this might also be a callback to Crybaby with “chasing through dreams in bloom.”
10. IMHSBALIDWDA - Definitely one of my favorites, it's just so damn fun. And once again some cool vocal effect you have going on in the background, which I always love. The lyrics here are fun but also biting; I've been thinking of this as a commentary on how fans don't really care about an artist's well-being or life even if they try to act like they do, they just want new songs and good performances and new merch etc. etc. no matter what it means the artist is going through or how they feel when they sing these emotionally devastating songs. So the chorus to me is kinda like a self-care anthem in a way, setting aside all the negative stuff and admitting to yourself hey, at least I feel kind of better now; maybe not entirely better, but I'm getting there.
11. War Crimes - Another song with sad lyrics but musically it goes so damn hard, another favorite. "I'm forgetting how to hate myself" is one of my favorite lyrics on the album, as is "My death will be the fandom." I don't even totally know what to say about this song cause sooo much is going on and it's just crazy. "Let's go!" is also a favorite moment. And the "I saved my own life" calling back to Not Warriors is tight.
12. [Reboot] - Hey is "I need to sleep alone" a reference to Sleep Alone!!!!!?!???? I've already talked to you about this song a lot too so I don't have much new to say. The vocal effect on the bridge is dope. The breaths before verse 2 are maybe my favorite part, as well as what you do on "all on you" including holding out "you" into the chorus. And whatever's going on in the background at the end of that second chorus, I can't tell if it's vocals or instruments or what, but it sounds really cinematic and cool.
13. Worst - This new version is so cool, it has so much texture that the demo didn't. Vocals are also really pretty. The added bass and electronics really add a lot of rhythm and an interesting vibe to this; the bass is almost jazzy in a way? But then the electronics/percussion are almost like a dance beat but really stripped down? I dunno, it's such an odd combination, especially with the guitar just being acoustic. One of the most interesting songs on the album sonically despite being comparatively "simple" at first listen.
14. Zone Out - My least fave just because it's such a simple interlude, but what I like that it does is like...basically comments on the preceding songs I guess? It's like a question to the listener. At the beginning you've got Dream Boy setting up their expectations, then this comes at the very end and essentially asks them, "After hearing all of these angry heartbroken songs, am I still your dream boy? Do you still think love exists because of me even though I've gone through all this and don’t believe in it myself?" I like that it makes the listener confront their previous feelings and expectations before we dive into the finale.
15. IFYWWM - First off I absolutely love the effect you put on the vocals at the start of this, especially with how that effect abruptly cuts off; it's so weird and interesting and I never get tired of hearing it. The difference between the demo and this final version is amazing, I love this song. And "I said I loved you to death so I must be dead" is such a great one-two punch; it hits hard as a "fuck you!" line with being a way to say you don't love her anymore, but then you realize how sad it is that the effect has been this emotional death that pervades the entire album and eventually leads right back into Cherry Red. Which is also a depressing ending; it's so abrupt without any closure about anything talked about on the album, and the way that it circles back into the opener kind of implies to me that maybe there's a sense of circularity to everything, it's unending, the songs will always be fueled by heartbreak and the emotional trauma will never go away and dealing with it in the public eye of the fandom will always be overbearing.